Wednesday, December 26, 2007

Forbidden Beauty




AP Photo

AP: Iraqi Hairdressers Forced Underground

Link: http://news.yahoo.com/s/ap/20071226/ap_on_re_mi_ea/iraq_secret_salons

By: Diaa Hadid



BAGHDAD, Iraq - Umm Doha cuts hair and waxes eyebrows in secret from her living room because making women look pretty can get a person killed in her Sunni-dominated Baghdad neighborhood.

Hardline Muslim extremists who believe it is sinful for women to appear beautiful in public have forced many beauticians to move their trade underground. Sunni and Shiite militants began blowing up salons roughly two years ago. They killed several stylists and bullied others into putting down their scissors and makeup brushes for good, all in an effort to stamp out what they view as the corrupting spread of Western culture. Besides beauty salons, militants have also targeted liquor stores, barber shops and Christian churches.



In the past year, most beauty salons in the Shiite-dominated southern city of Basra went underground, as they did in the Sunni-controlled neighborhood of Dora in west Baghdad.
To those outside of Iraq, the prospect of being killed just for frequenting a hair salon might seem a convincing reason not to go. But despite being targeted by militants, stylists say women here still want to look good — and stylish. Refusing to get a haircut or having their makeup done would be giving in to the violence and despair surrounding them.



"See this salon?" said the stylist Kifah, as she deftly lopped off a woman's dark hair into smart layers in her east Baghdad establishment. "It's never been empty, not through the Iraq-Iran war, the Gulf war or this war. Women are women, they always want to look good."
Despite her bravado, Kifah, like all the hairdressers interviewed, asked that her full name not be used because she feared retaliation by extremists.



The latest attack on a salon was Dec. 13, in the city of Mosul northwest of the capital. Gunmen stormed the home of a woman who was running a beauty parlor out of one room. They killed her.



Last year, extremists blew up 42-year-old Umm Doha's beauty parlor in west Baghdad after she did not heed their warnings to close shop. "They didn't want a ladies salon there," she said. Two other salons were also blown up. Umm Doha said hardline Muslims were offended by the sight of freshly made-up women leaving her salon, including brides heading to their weddings — even though they were conservatively veiled while outside. Days after her small shop was destroyed, she converted a room in her home into an underground salon. She said she had no choice: Her husband's low-paying clerk's job does not pay enough to keep food on the table for their three children.



It isn't known how many secret salons exist in Iraq, but many women bullied out of their shops work on customers at home. Such an arrangement cuts into profits because the beauticians will deal only with women they already know. Umm Doha said she has recently been earning only about $200 a month. The brides are the real salon money-spinners: They must be fully waxed, eyebrows shaped, have a fancy hairstyle and a makeover — all for about $65. Umm Doha now sees just two or three brides a month instead of every week.



While danger is rife for beauticians, those plying their trade in areas that have been secured by Iraqi and U.S. troops, or controlled by Sunni tribal groups opposed to al-Qaida in Iraq, seem to have more latitude to work. A few roads down from Umm Nour's place, the hairdresser Shams runs a salon in an area protected by a checkpoint separating her part of the neighborhood from the extremists who have forced her colleague into hiding. "I've been here for four years and I've never been threatened," Shams said.



Across town in a Shiite neighborhood in east Baghdad, Kifah's salon sits wedged between a mechanic's shop and a shuttered store. Inside, a cluster of women wait, wet hair wrapped in towels. One woman leans back on a chair as a beautician applies a white paste to her face. Another sits with a plastic cap on her hair, strands pulled out to be lightened. A table next to the window holds the ubiquitous pot of sweet Iraqi tea. Many of the customers in Kifah's shop said they were war-weary refugees from Sunni western Baghdad, from Shiite families, or Shiites married into Sunni families who fled into more secure eastern Baghdad.



One of those women lay back in Kifah's chair. She asked not to be named, fearing identification by the extremists her family had fled. But the woman said the strife made her want to look her best. She said she could not stop the war, but she could boost her morale by looking good.
Iraq's violence, she said, was like a person suffering from a high fever. "The fever will break and Iraq will return to normal. But until then, we want to be stylish and look good," she said.
"Here, we give women hope," Kifah said. "They feel like women, even during the worst tragedy."



Kifah's own niece and nephew have disappeared. Another niece was kidnapped and later found dead, even after Kifah's family paid a ransom, she said. Still, her salon must stay open.
"If we give some hope here, it helps us carry on," she said, dusting off the salon chair to prepare for her next customer.

Sunday, December 23, 2007

Christmas in Palestine

(flickr.com from AnomalousNYC)

As posted from BBC.com: http://news.bbc.co.uk/2/hi/programmes/from_our_own_correspondent/7154134.stm


Christmas under Hamas rule


By Katya Adler BBC News, Gaza City


Note: All photos in this story taken from story posted on BBC.com)


Earlier this year, the Islamist Hamas party took control of Gaza, home to a thriving Christian community now preparing to celebrate their first Christmas under Hamas rule.

Palestinian Christians are known as Nasserine - the people of Nazareth
Manawel Musallam - priest, headmaster and Gazan - is a rotund, avuncular man, fond of wearing berets. I have come to his office to ask how Christians in Gaza were faring on this, their first Christmas under the full internal control of Hamas. "You media people!" Father Musallam boomed at me when I first poked my head around his door. "Hamas this, Hamas that. You think we Christians are shaking in our ghettos in Gaza? That we're going to beg you British or the Americans or the Vatican to rescue us?" he asked. "Rescue us from what? From where? This is our home." Extended family The pupils at the Holy Family School, Gaza City, all call Manawel Musallam "Abunah" - Our Father in Arabic. His is a huge family of 1,200 children and, although the school is part-funded by the Vatican, here, as in all of Gaza, Christians are the minority.

Ninety-nine percent of the pupils here are Muslim. This is one of the reasons Fr Musallam says he does not fear the Islamists. "They should be afraid. Not me," he chuckled. "Their children are under my tutelage, in my school. Hamas mothers and fathers are here at parents' day along with everyone else." But there is more that binds Christians and Muslims in Gaza than their children's shared playground. After the bloody scenes of Palestinian infighting this year, it is easy to assume Gazan society is irreconcilably split - both politically and along religious lines.

There were those chilling incidents in June when men with beards were shot for looking like Islamists. Men without beards were shot by Islamist extremists who thought they were non-believers, even traitors. But actually the situation is far less clear cut. Take the music room-cum-prayer hall at the Holy Family School. Nativity play On one of the walls hang huge photos of what the irreverent might be tempted to describe as the Gazan Catholic's Holy Trinity - the Pope, the Patriarch of Jerusalem, and the (Muslim) Palestinian president. I found a group of 10-year-olds on stage, rehearsing their Nativity play, watched, with great enthusiasm, by a group of their Muslim friends.

Mary and Joseph squatted on stage. The girl playing Mary, clasped a tube of scrunched-up brown paper wrapped in a scarf, which, for rehearsal purposes, was posing as baby Jesus.
"You see," Fr Musallam told me, as he gazed indulgently at the goings-on on stage. "Our identity is a multi-layered one." "Of course, I am a Christian believer, but politically I am a Palestinian Muslim. I resist Israel's military occupation, obviously not with weapons. "The Jihad can never be mine but with my words, my sermons, I am a Palestinian priest." On stage, four wise men, instead of three (probably due to a casting struggle) were paying their respects to the paper bag. "We have lived alongside Muslims here since Islam was born," said Fr Musallam, waving his arm at the stage. "They have a special word for us, the Christians of Palestine. They call us Nasserine - the people of Nazareth. They recognise that we have always been here
"Even the more extreme Muslims see a difference between us and other Christians they regard as enemies and call Crusaders."


There is no evidence to suggest the Hamas government here officially discriminates against Christians but its takeover in Gaza - its military wing's leading role in armed resistance against Israel, along with the Islamic Jihad faction - have all led to the increasing Islamisation of Gazan society. And that has encouraged some extremist Muslims to take action. A Christian bookshop owner was killed here a couple of months ago. There was a kidnap attempt on another Christian recently. And a number of Christian families we spoke to say they had received death threats.
They question Hamas' willingness to take action to protect them. However, it was under Hamas armed escort that we met the Latin Patriarch of Jerusalem, Michel Sabbah, on a special pre-Christmas visit to Gaza. It was quite a spectacle. The Patriarch, dressed in a purple cassock, stepped out of a black, shiny Mercedes at the Latin Church in Gaza City. 'God's creatures'
A crowd of police cars screeched to a halt all around him, lights flashing and sirens screaming. Bearded gunmen dressed in black jumped out to guard him. In previous years, the Patriarch's Christmas sermon has concentrated on the suffering of Palestinians under Israeli military occupation but this year he preached steadfastness in the face of intimidation by Islamist fanatics.

"They forget we are all God's creatures," he told a concerned-looking congregation. "But nobody can tell us Christians how to dress, how to live or how to pray". The patriarch called on the Hamas government to take responsibility and to protect the Christian citizens of Gaza, along with everyone else. As the crowded church was belting out hallelujahs, I stepped into the church courtyard for some fresh air.



The Muslim call to prayer was beginning to echo from the myriad of mosques all around.
I thought how this reflected the situation in Gaza in Christmas 2007 - that while the muezzin were on loudspeaker, the church bells here are played from a cassette tape. A nervous young nun adjusted the volume - loud enough to peel through the church but not to penetrate its walls - it might risk offending Muslim Gazans passing by.



Some more photos for perusing:

(the following photos were taken by Nayef Hashlamoun)

Christians light candles in the grotto of the Church of the Nativity






A Priest lights candles in the Church of the Nativity





A Priest opens a new door (given by the Vatican) to the Church of the Nativity)






A Greek Orthodox Priest cleans lanterns at the Church of the Nativity







Palestinians hold annual Christmas Bazaar in Bethlehem (photo by Iyad Atayat)






Palestinian women are shopping two days before Christmas celebrations in order to celebrate along with Christians, in the West Bank town of Ramallah December 22, 2005. (MAANnews/Charlotte de Bellabre)





Palestinian children play with Christmas decorations in a Christian shop two days before Christmas celebrations, in the West Bank town of Ramallah December 22, 2005. (MAANnews/Charlotte de Bellabre)

Wednesday, December 19, 2007

Wednesday, December 5, 2007

Sling Shot Hip Hop at Sundance 2008!


Good news! 'Slingshot Hip Hop,' a documentary about Palestinian hip hop groups will debut at the 2008 Sundance Film Festival in January. This is great news and will give the film and the subject matter the exposure that they need. Hala!


Tuesday, November 27, 2007

Sunday, November 25, 2007

More Hip Hop Diplomacy


Photo by Michael Luongo

From the Christian Science Monitor (25 Nov)

The art of (hip-hop) diplomacy

Cultural exchanges can help boost America's image abroad.

By John Ferguson
from the November 23, 2007 edition


Houston - The 15 teenage hip-hop dancers break into a sweat as the demands of Janet Jackson's "Rhythm Nation" take their toll. Despite the air conditioning in the sparkling new cultural center, the 125-degree heat finds its way inside. Dance teacher Michael Parks Masterson takes the students to task over a fumbled step. "You guys are awesome, but you must concentrate," he shouts.
There are only seven more days to prepare for the Unity Performing Arts Academy gala show. Hip-hop, one of America's newer cultural exports, is about to make a debut in northern Iraq.
In a leap of the imagination supported by the State Department and the US Embassy in Baghdad, this summer my small not-for-profit organization, American Voices, created a 10-day conservatory of artistic expression and learning for Iraqi performing artists. During that time, participants proved that Iraqi unity is not necessarily a myth – and that cultural diplomacy can work wonders, even in conflict zones.
In a country that has seen little, if any, cultural exchange with the US for decades, the hunger for knowledge was palpable. With a faculty of 10 Americans teaching ballet, hip-hop, musical theater, jazz, chamber music, and orchestra, the students were treated to a smorgasbord of learning previously unavailable to them.
There was extraordinary energy in the air as Iraqis put in 12-hour days studying "cool new things," as one of them put it, from Vivaldi's Baroque style to a choreography of George Gershwin's "I Got Rhythm." With participating groups ranging from the youth theater of Irbil, Iraq, to the Iraq National Folk Dancers' more experienced artists, there was a unique blend of ages, ethnic groups, languages, and art forms.
While the program began with some mutual wariness among the groups from various regions of Iraq, by the end, there was strong camaraderie. Perhaps most remarkable was the Unity Orchestra, composed of 130 players from all four of Iraq's principal orchestras. It left an indelible impression of what united Iraqis could achieve in the realm of art.
Once back home, however, each orchestra faces unique challenges. Baghdad's Iraq National Symphony Orchestra braves rehearsals and performances amid terrible violence. Irbil's orchestra is still on informal strike after years of salaries not rising above $30 per month. Sulaymaniyah's two orchestras are younger, active, and relatively well trained; this summer a group of its members won second prize at a youth orchestra competition in Vienna.
At the gala concert, all of the orchestras came together to give a buoyant performance of music by Duke Ellington and Iraqi composers. At the final reception we danced till dawn – despite the awareness that for most, tomorrow would bring a return to the uncertainties of Baghdad or the isolation of the Kurdish regions.
Two months later, the faculty still gets almost daily messages from participants. Some are requests for help with a double bass bridge or advice on how to teach from a method book we donated. Many simply say thanks for offering a glimpse of a way forward and breathing new life into Iraqi conservatories and arts organizations. Many Iraqi performing artists tell me they have toiled for so long and in such isolation that they assumed the world either did not care or had forgotten them.
Repairing America's image and standing in the world will require a group effort. The US government cannot and should not do this alone. As someone deeply involved in the field of cultural diplomacy for close to 20 years, I would like to see cultural exchange written into the mission statements of America's arts organizations and places of learning: more effective exchanges, more scholarships, more hip-hop. In the case of Iraq, such programs not only help heal Iraq's deep-seated divisions but also give Iraqis much needed insight into the US and its culture, beyond foreign policy.
Fears that the US may be forcing cultural diplomacy programs upon an unwilling or indifferent public are, in my experience, unfounded. From Iraq to Vietnam to Venezuela, audiences are clamoring for more. Many Americans assume that our culture is as unwelcome abroad as our foreign policies often are, but we should not underestimate the sway our unique art forms hold over audiences deprived of cultural contact with the US.
In the post-9/11 world, nations must develop ways to not only understand but also embrace one another. Art, music, and dance can help facilitate such positive exchange. It is time for new visions of what is possible – even essential – in America's cultural relationship with countries emerging from conflict or isolation.
Pianist John Ferguson is executive director of American Voices.

Saturday, November 24, 2007

Hijabi


I forgot where I snagged this photo from...but this picture is on the side of a building in San Francisco. She is somewhere near Chinatown off a block or two of the main street which runs from the center of the city to the wharf. I just love the picture...

Friday, November 23, 2007

Monday, November 12, 2007

Saturday, November 10, 2007

Free the P!

If you liked 'I Love Hip Hop in Morocco' check out this album. Proceeds go to the new Palestinian Hip Hop Documentary, 'Sling Shot Hip Hop'. You can get the CD from Amazon.com.

Photo Sharing and Video Hosting at Photobucket

Sunday, November 4, 2007

Looking Good--in Afghanistan


I saw this excerpt from the program 'Witness' off of Al-Jazeera English some time ago, but it still brings a smile to my face. Ah...women and beauty. As much as feminists love to bash any and all wide generalizations about women, it is true that a woman loves to feel beautiful and there's nothing that beats the confidence felt when leaving a beauty salon after having been cut, styled, colored, primped and b-e-a-u-tified! I recentely read a wonderful book called Kabul Beauty School by Deborah Rodriguez, which I would highly recommend, as well as a DVD documentary by the same name. It reinforced even more the need for post-conflict economic opportunities for women; especially in Afghanistan. I wrote a letter to Dove's Real Beauty Campaign hoping to secure more donations for the beauty schools in Afghanistan and to promote an international look at beauty and what it does for women in conflict zones--but didn't hear back.

Here is Deborah's website: http://oasisrescue.org/

I'm going to try to embed the You Tube video in the blog, hopefully it works--if not, I'll paste the link as well.

http://www.youtube.com/watch?v=sjeghnF2npQ

Saturday, November 3, 2007

I Love Hip Hop--Diplomacy

I recently saw the West Coast premiere of 'I Love Hip Hop in Morocco' and spoke with the filmaker, Josh Asen. He received a Fulbright Scholarship to conduct reseasrch in Morocco and while he was working on his research, decided to film some of the local hip hop groups (Fnaire, Brownfingaz, H-Kayne, Fati Show, Pat de Mosse) and their efforts to organize a Hip Hop Festival in three different Moroccan cities. Money issues were one of the main concerns, but Coke and the American Embassy stepped up to help fund the efforts. The festival was a success and the shows were a great way to get the voices of some Arab youth heard.


Rap and Hip Hop is, at its very core, a method of resistance to oppression, real or perceived. Aside from the fact that much of the American hip hop today has morphed into a money, chicks, drugs, cars, bling and whatever else--hip hop used to be a way to express grievances within a different public space and create a dialogue from those who couldn't necessarily find an accepting public space to voice it from. If you look at other Arab hip hop groups, primarily the Palestinian ones (The Philistines, DAM, Ragtop etc) you'll see the lyrics centered around political resistance and actively pushing a dialogue for recognition of social, economic and political grievances. Jackie Salloum, another Arab filmaker, is working on a similar project to 'I Love Hip Hop in Morocco' called 'Sling Shot Hip Hop'. Although it's been in Post-production for what seems like forever, it promises to be a powerful documentary on Hip Hop in Palestine and Israel.


Hip Hop Diplomacy needs a serious look by Cultural Diplomacy advocates--it's a positive way to reach Arab youth and recognize their voices and resistance through music.







Friday, November 2, 2007

Monday, October 8, 2007

احلاً أصدقئي

Hello my friends and welcome to my new blog. I am a writer and created this blog to post my thoughts, inspirations, poetry, short stories and anything that catches my eye and want to share. I love the Middle East--the food, art, language, history, culture and people so you will probably see a lot of blogs with these items as the theme. I hope you enjoy reading what I post. I welcome comments, but only those which are constructive. I will delete any comments that are intolerant or offensive. This blog is not meant to be political, but I will post pictures or writings which touch on political topics--feel free to comment, I just ask that you keep it polite and respectful. Welcome, and make yourselves at home.
From WAND.org